Sherwin-Williams6869

Stop

Sherwin-Williams's Stop is a orange shade whose quieter details emerge through comparison. Its LRV of 15.0 gives it real visual weight, allowing the color to hold a wall rather than simply recede from view. Its related shades below reveal where the color harmonizes—and where contrast brings it fully to life.

LRV

14.96

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Light Reflectance Value
14.96
Dark
TemperatureWarm
SaturationBright
Collection

Stop's Color Strip

Stop is the first shade on this 7-color strip, the lightest in this coordinated family. Color strip 116 groups these shades together so you can see how each reads next to its neighbors.

Coordinating Colors

Faint Coral
Faint Coral
Stop
Faint Coral vs Stop
Sherwin-Williams
Faint Coral
6329 · LRV 75
Sherwin-Williams
Stop
6869 · LRV 15

Faint Coral reflects far more light (LRV 75 vs 15), opening up a space where Stop encloses it.

Kestrel White
Kestrel White
Stop
Kestrel White vs Stop
Sherwin-Williams
Kestrel White
7516 · LRV 68
Sherwin-Williams
Stop
6869 · LRV 15

Kestrel White reflects far more light (LRV 68 vs 15), opening up a space where Stop encloses it.

Stop
Urban Jungle
Stop vs Urban Jungle
Sherwin-Williams
Stop
6869 · LRV 15
Sherwin-Williams
Urban Jungle
9117 · LRV 31

Urban Jungle reflects far more light (LRV 31 vs 15), opening up a space where Stop encloses it.

Trim Color

Faint Coral
Faint Coral
Stop
Faint Coral vs Stop
Sherwin-Williams
Faint Coral
6329 · LRV 75
Sherwin-Williams
Stop
6869 · LRV 15

Faint Coral reflects far more light (LRV 75 vs 15), opening up a space where Stop encloses it.

Similar Colors

Ablaze
Ablaze
Stop
Ablaze vs Stop
Sherwin-Williams
Ablaze
6870 · LRV 16
Sherwin-Williams
Stop
6869 · LRV 15

Their light reflectance is nearly identical (LRV 16 vs 15), so neither reads brighter in a room.

Real Red
Real Red
Stop
Real Red vs Stop
Sherwin-Williams
Real Red
6868 · LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 15 and 13, the two reflect almost the same amount of light.

Habanero Chile
Habanero Chile
Stop
Habanero Chile vs Stop
Sherwin-Williams
Habanero Chile
7589 · LRV 15
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 15 and 15, the two reflect almost the same amount of light.

Red Obsession
Stop
Red Obsession vs Stop
Sherwin-Williams
Red Obsession
7590 · LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.

Fireworks
Fireworks
Stop
Fireworks vs Stop
Sherwin-Williams
Fireworks
6867 · LRV 17
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 17 and 15, the two reflect almost the same amount of light.

Gypsy Red
Gypsy Red
Stop
Gypsy Red vs Stop
Sherwin-Williams
Gypsy Red
6865 · LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 15 and 13, the two reflect almost the same amount of light.

Cherry Tomato
Cherry Tomato
Stop
Cherry Tomato vs Stop
Sherwin-Williams
Cherry Tomato
6864 · LRV 12
Sherwin-Williams
Stop
6869 · LRV 15

Stop reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Red Tomato
Stop
Red Tomato vs Stop
Sherwin-Williams
Red Tomato
6607 · LRV 14
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 15 and 14, the two reflect almost the same amount of light.

Lusty Red
Stop
Lusty Red vs Stop
Sherwin-Williams
Lusty Red
6863 · LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.

Hearty Orange
Hearty Orange
Stop
Hearty Orange vs Stop
Sherwin-Williams
Hearty Orange
6622 · LRV 15
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 15 and 15, the two reflect almost the same amount of light.

Complementary Colors

Stop
Surf Green
Surf Green
Stop vs Surf Green
Sherwin-Williams
Stop
6869 · LRV 15
Sherwin-Williams
Surf Green
6473 · LRV 21

Surf Green reads slightly lighter (LRV 21 vs 15), a gap that shows most in low-lit rooms.

Powder Blue
Stop
Powder Blue vs Stop
Sherwin-Williams
Powder Blue
2863 · LRV 35
Sherwin-Williams
Stop
6869 · LRV 15

Powder Blue reflects far more light (LRV 35 vs 15), opening up a space where Stop encloses it.

Hinting Blue
Hinting Blue
Stop
Hinting Blue vs Stop
Sherwin-Williams
Hinting Blue
6519 · LRV 68
Sherwin-Williams
Stop
6869 · LRV 15

Hinting Blue reflects far more light (LRV 68 vs 15), opening up a space where Stop encloses it.

Stop
Watery
Watery
Stop vs Watery
Sherwin-Williams
Stop
6869 · LRV 15
Sherwin-Williams
Watery
6478 · LRV 57

Watery reflects far more light (LRV 57 vs 15), opening up a space where Stop encloses it.

Aquaverde
Aquaverde
Stop
Aquaverde vs Stop
Sherwin-Williams
Aquaverde
9051 · LRV 49
Sherwin-Williams
Stop
6869 · LRV 15

Aquaverde reflects far more light (LRV 49 vs 15), opening up a space where Stop encloses it.

Stop
Tidewater
Tidewater
Stop vs Tidewater
Sherwin-Williams
Stop
6869 · LRV 15
Sherwin-Williams
Tidewater
6477 · LRV 65

At LRV 65 vs 15, Tidewater is decisively the brighter choice.

Mountain Stream
Stop
Mountain Stream vs Stop
Sherwin-Williams
Mountain Stream
7612 · LRV 25
Sherwin-Williams
Stop
6869 · LRV 15

Mountain Stream reads slightly lighter (LRV 25 vs 15), a gap that shows most in low-lit rooms.

Lighter Colors

Full Bloom
Full Bloom
Stop
Full Bloom vs Stop
Sherwin-Williams
Full Bloom
9700 · LRV 26
Sherwin-Williams
Stop
6869 · LRV 15

A 11-point LRV gap (26 vs 15) makes Full Bloom the marginally brighter of the two.

Coral Reef
Coral Reef
Stop
Coral Reef vs Stop
Sherwin-Williams
Coral Reef
6606 · LRV 29
Sherwin-Williams
Stop
6869 · LRV 15

Coral Reef reflects far more light (LRV 29 vs 15), opening up a space where Stop encloses it.

Lei Flower
Stop
Lei Flower vs Stop
Sherwin-Williams
Lei Flower
6613 · LRV 30
Sherwin-Williams
Stop
6869 · LRV 15

Lei Flower reflects far more light (LRV 30 vs 15), opening up a space where Stop encloses it.

Fireworks
Fireworks
Stop
Fireworks vs Stop
Sherwin-Williams
Fireworks
6867 · LRV 17
Sherwin-Williams
Stop
6869 · LRV 15

With LRVs of 17 and 15, the two reflect almost the same amount of light.

Gladiola
Gladiola
Stop
Gladiola vs Stop
Sherwin-Williams
Gladiola
6875 · LRV 20
Sherwin-Williams
Stop
6869 · LRV 15

A 5-point LRV gap (20 vs 15) makes Gladiola the marginally brighter of the two.

Darker Colors

Cherry Tomato
Cherry Tomato
Stop
Cherry Tomato vs Stop
Sherwin-Williams
Cherry Tomato
6864 · LRV 12
Sherwin-Williams
Stop
6869 · LRV 15

Stop reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Red Obsession
Stop
Red Obsession vs Stop
Sherwin-Williams
Red Obsession
7590 · LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.

Stop
Tanager
Stop vs Tanager
Sherwin-Williams
Stop
6869 · LRV 15
Sherwin-Williams
Tanager
6601 · LRV 11

Stop reads slightly lighter (LRV 15 vs 11), a gap that shows most in low-lit rooms.

Color Codes

RGB195, 58, 54
HSL2° 57% 49%
CMYK0 70 72 24
CIE LabL: 45.5 a: 54.0 b: 34.1
XYZX: 24.69 Y: 14.90 Z: 5.07
Strip116 pos. C1

Manufacturer description

This commanding deep orange commands attention with its warm, saturated intensity and hints of red-brown undertones, evoking the drama of a sunset at its most vivid hour. Perfect for a bold accent wall or creative studio space, it pairs strikingly with warm neutrals and deep charcoals to create an atmosphere of energy and artistic confidence.

Attributed to Sherwin-Williams catalog data ↗