Storm's Coming vs RAL 110-3
Storm's Coming is a PPG color while RAL 110-3 comes from RAL Effect. Hue-wise, Storm's Coming belongs to the beige-greige family and RAL 110-3 to the greige-grey family. With LRVs of 58 and 56, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 3.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Storm's Coming vs RAL 110-3 in Real Spaces
4 real rooms side by side. Storm's Coming and RAL 110-3 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Storm's Coming vs RAL 110-3 Simulated Comparison
5 simulated room previews — drag the slider on each to see Storm's Coming on one side and RAL 110-3 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Storm's Coming comparisons
See how Storm's Coming stacks up against other well-photographed colors across different brands and tones.
A 11-point LRV gap (69 vs 58) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 58), opening up a space where Storm's Coming encloses it.
Storm's Coming reflects far more light (LRV 58 vs 6), opening up a space where Iron Ore encloses it.
A 6-point LRV gap (58 vs 52) makes Storm's Coming the marginally brighter of the two.
At LRV 58 vs 30, Storm's Coming is decisively the brighter choice.
Storm's Coming reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
With LRVs of 58 and 58, the two reflect almost the same amount of light.
Storm's Coming reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.
At LRV 58 vs 43, Storm's Coming is decisively the brighter choice.
At LRV 58 vs 4, Storm's Coming is decisively the brighter choice.
Storm's Coming reads slightly lighter (LRV 58 vs 55), a gap that shows most in low-lit rooms.
Storm's Coming reflects far more light (LRV 58 vs 13), opening up a space where Bancha encloses it.
Storm's Coming reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 58, Pure White is decisively the brighter choice.
At LRV 58 vs 21, Storm's Coming is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 58), opening up a space where Storm's Coming encloses it.
Snowbound reflects far more light (LRV 83 vs 58), opening up a space where Storm's Coming encloses it.
A 7-point LRV gap (58 vs 51) makes Storm's Coming the marginally brighter of the two.
Storm's Coming reflects far more light (LRV 58 vs 12), opening up a space where Pewter Green encloses it.
Storm's Coming reflects far more light (LRV 58 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.
At LRV 58 vs 41, Storm's Coming is decisively the brighter choice.
Storm's Coming reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.
Storm's Coming reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 58 vs 31, Storm's Coming is decisively the brighter choice.