Pearl Gray vs Silverpointe
Both from Sherwin-Williams's palette. Hue-wise, Pearl Gray belongs to the green-grey family and Silverpointe to the grey family. Silverpointe (LRV 64) reflects noticeably more light than Pearl Gray (LRV 61), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.1, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Pearl Gray vs Silverpointe in Real Spaces
1 real room side by side. Pearl Gray and Silverpointe are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Silverpointe reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Pearl Gray vs Silverpointe Simulated Comparison
5 simulated room previews — drag the slider on each to see Pearl Gray on one side and Silverpointe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pearl Gray comparisons
See how Pearl Gray stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 61), a gap that shows most in low-lit rooms.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
At LRV 61 vs 6, Pearl Gray is decisively the brighter choice.
Pearl Gray reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
Pearl Gray reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (61 vs 52) makes Pearl Gray the marginally brighter of the two.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes Pearl Gray the marginally brighter of the two.
At LRV 61 vs 27, Pearl Gray is decisively the brighter choice.
Pearl Gray reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
Pearl Gray reflects far more light (LRV 61 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (61 vs 55) makes Pearl Gray the marginally brighter of the two.
At LRV 61 vs 13, Pearl Gray is decisively the brighter choice.
At LRV 61 vs 44, Pearl Gray is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where Pearl Gray encloses it.
Pearl Gray reflects far more light (LRV 61 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 83 vs 61, Snowbound is decisively the brighter choice.
Pearl Gray reads slightly lighter (LRV 61 vs 51), a gap that shows most in low-lit rooms.
At LRV 61 vs 12, Pearl Gray is decisively the brighter choice.
At LRV 61 vs 8, Pearl Gray is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
Pearl Gray reflects far more light (LRV 61 vs 41), opening up a space where Dix Blue encloses it.
At LRV 61 vs 12, Pearl Gray is decisively the brighter choice.
At LRV 61 vs 45, Pearl Gray is decisively the brighter choice.
Pearl Gray reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.